About

House of Chaos gives form to rebellion in a world obsessed with control.

Not rebellion as noise—but rebellion as devotion.

Not darkness as shock—but darkness as language: romantic and expressive.

CHAOS, here, is intentional.

Built. Weighted. Sacred.

We design adornment as declaration—pieces that refuse to soften, dilute, or apologize.

Romance, Danger, and the Sacred Self

HOUSE OF CHAOS is romantic in its darkness.

Beauty edged with sorrow. Desire sharpened by risk. Chaos is not random-it's intention made visible.
The self—raw, unfiltered, unapologetic—is treated as sacred.

Expression is not performative here.

It is devotional.
To wear Chaos is to claim your presence without translation.

To allow contradiction.

To be adorned, not explained.
Worldbuilding

House of Chaos is not a look. It is a world. Every piece belongs to a larger myth—a visual language that resists trend and outlasts seasons.
Chaos is not randomness. It is intention made visible.
System of meaning

Gothic, In practice

Crosses. Chains. Spikes.

Not as trend—but as iconography. This is ornament informed by architecture. Old English letterforms. Baroque weight. Stained-glass contrast.

I’m drawn to tension.

To forms that hold weight. To symbols that have survived because they meant something long before they were decorative.

Crosses, chains, metal, shadow—these are not costumes: they are language.

They carry history, belief, devotion, defiance.

House of Chaos is where I give that language form. Each piece is intentional. Built to be worn with presence, not permission.

I’m not interested in perfection, trends, approval, or ease. I’m interested in what happens when adornment becomes declaration.

House of Chaos exists to give form to the UNRULY in a world obsessed with FITTING IN.

If you’re here, you already understand.

-AX